Voice
Breanna Miller
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Mezzo Soprano Breanna Miller is a current Graduate student at the San Francisco Conservatory of Music under the tutelage of world renowned Mezzo Soprano Susanne Mentzer. From Halifax, Nova Scotia, Breanna completed her Undergraduate studies at Dalhousie University, under the instruction of pedagogue Lucy Hayes-Davis, in 2014. Upon completion of her undergraduate degree, she operated a voice, piano, and musical theatre program at Maritime Dance Academy for several years. All participating students placed within the top 2-12% of the Royal Conservatory of Music Examinations, and many had placed in the Kiwanis Music Festival. Additionally, she was the music director and co-director of “Seussical the Musical”. Breanna has a passion for educating children and teenagers of all ages and believes in the importance of communicating emotion, and understanding music theory for all musicians. She believes community is a vital part of making music and has a passion for chamber and contemporary music. She is also a scholarship recipient of Nova Scotia Talent Trust (‘17, ‘18) and the Portia White Award (‘18).
Breanna’s most recent performance includes Irene in Handel’s Tamerlano with the San Francisco Conservatory of Music’s Baroque Ensemble, under the direction of Corey Jamason. She previously performed the roles of La Principessa (Suor Angelica), Prince Charmant (Cendrillon), Marcellina (Le Nozze di Figaro), Nutrice (L’incoronazione di Poppea), and Second Witch (Dido and Aeneas). She has also been the alto soloist for Mahler’s Third Symphony and Handel’s Messiah. |
Melissa Weikart
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Melissa Weikart is a vocalist, pianist/keyboardist, composer, and teaching artist. Her musical approach is shaped by her formative training as a classical pianist and passion for vocal harmony. As a teacher, Melissa strives to provide students with the necessary tools to succeed
as creative, collaborative, and extrinsically motivated musicians. She performs frequently as a solo songwriter, and after releasing her EP Coffee and live album Testing All My Memories, she is in the midst of recording her first full length LP set for release this spring. In addition to her solo career, Melissa has performed with Boston-based chamber choir Carduus, and most recently joined Carla Kihlstedt's Black Inscription song cycle on vocals and keytar at Cotuit Center for the Arts. She has also composed for San Francisco-based choreography duo Kickbal, and is currently working on a commission for them to be presented in April 2020 supported by the ODC Theater Opportunity Fund. While pursuing her Master’s in Contemporary Improvisation at New England Conservatory in Boston (M.M. ’18), Melissa was awarded an Entrepreneurial Musicianship grant to fund the debut performance of “Wouldn’t It Be Nice: Pet Sounds Reimagined,” her recomposition of The Beach Boys’ Pet Sounds performed in its entirety by an all-female vocal choir and rock band. In June 2019, the ensemble presented a performance-lecture at the joint International Alliance for Women in Music and Feminist Theory and Music conference hosted by Berklee College of Music. During her time at NEC, Melissa studied privately with Carla Kihlstedt, Anthony Coleman, Dominique Eade, Ran Blake, and Hankus Netsky and co-founded Students Advocating for Gender Equality. She was recently featured in INPUT/OUTPUT, a magazine dedicated to promoting the voices of women and non-binary musicians. Melissa has worked as a teaching artist since 2016, and this past year, she held the position of Musicianship Teacher at Handel and Haydn Society's Vocal Arts Program in Boston, where she taught solfege and sight-reading classes to students ages 8-18. She has also presented a lecture titled “Experimental Women Improvisers: The Creative Power and Radical Aesthetics of Six Musicians” at Tufts University and New England Conservatory. |
Lucia Pontoniere
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Lucia Pontoniere plays violin, guitar, sings, and writes songs. She graduated from Berklee College of Music with a degree in violin performance, where she studied with world-renowned fiddle players and violinists such as Darol Anger, Bruce Molsky, and Matt Glaser. Lucia began playing violin at the age of six and has always seen violin as her first musical love, but also enjoys songwriting and singing as a creative outlet.
Lucia grew up in the Bay Area, and after spending five years on the East Coast is excited to call it home again. She tours the country with her band called The Ladles, an indie-folk singer-songwriter group. In addition, she enjoys freelancing with different bands, teaching music, and doing studio work. Lucia has played on many band’s albums, and for a couple TV shows as well! Music is her greatest passion in life and she is so excited to share that passion with as many people as possible. Lucia has seen first hand how music can change lives, as well as be a fun and creative way to learn and grow. She has experience teaching all ages, both group classes and private lessons. Lucia has taught classical violin as well as fiddle, guitar, and voice. |
Marina Davis
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Mezzo-soprano Marina Davis is a recent graduate from The San Francisco Conservatory, where
she completed a Postgraduate Diploma in Vocal Performance and a Master of Music in Voice. She also holds a Bachelor of Music from The University of Toronto in Voice Performance. Throughout her higher education, Marina has gained extensive knowledge about vocal pedagogy. She is very passionate about healthy, supported singing. She has taught students of all ages, and believes that every student has a unique voice. She uses a flexible teaching style that accommodates all types of learners. Although she is primarily an opera singer, she also has experience and training in musical theater and pop styles. Recent opera roles include Cherubino, Le nozze di Figaro (SFCM 2019) and Hänsel, Hänsel und Gretel (SFCM & San Francisco Opera Education 2018). Marina has performed with Opera on the Avalon (2017), the Halifax Summer Opera Festival (2014, 2015), Opera 5 (2014), was a Young Artist at SongFest (2015) and a Voice Fellow at Opernfest Prague (2019). Awards include, Finalist in the American Prize for Art Song/Oratorio (2019, college/university division), SFCM’s Phyllis C. Wattis Scholarship (2018), Senior winner of the Symphony by the Bay’s Young Artist Concerto Competition (2016), and the University of Toronto’s Greta Kraus Award (2014). |